Between Jeschkelangers respective disciplines, sculpture and painting, arise hybrid objects,
painting-objects, and it becomes difficult to distinguish individualities and mediums. Out of this intense discussion emerges an utterance: transparent, marked by their imprints
and lined by folds.
This new voice takes the form of glass plates, enriched on both sides with raw materials
and fluids. These are fragile tables with razor sharp irregularities and angles protected
with improvised padded frameworks. As a common object of the intimate sphere, the
table relates to verbal and physical exchanges. Marie Jeschke and Anja Langer use this
surface to rehearse their being-together, in a space. They play around.
Their practice is an observation on porosity of practices, interconnection and interferences,
loosing one‘s individual recognition, in counterpoint to the current tendencies
of polarisation and withdrawal.
Marie DuPasquier - 2017